The team behind the slow journalism publication discuss what makes a good cover and why the 50th issue breaks the rules, with an infographic capturing “the great sweep of slow
As 100% Design (now Design London) migrates from London Design Festival to Clerkenwell Design Week, former LDF deputy director William Knight reflects on whether LDF will still be able to
Our most popular exhibition stories of 2022 spanned “the beautiful game”, a glass lift in Battersea Power Station’s chimney and the notion of “uncivic space”.
International supply chains have been disrupted by global and domestic factors in the last few years, but how has this affected designers and where do they source materials from now?
The Intellectual Property Office is reviewing the UK’s IP system so we asked designers about their own experiences in accessing and using it.
New findings from the Design Economy report highlight the importance of digital design and a continuing lack of diversity within the industry.
The report reveals that the current system may be negatively affecting smaller design companies.
The capital’s most prominent design festival celebrates its 20th anniversary this year.
Wolff Olins global CEO Sairah Ashman discusses the design process, backlash and legacy of the London 2012 Olympics brand on its tenth anniversary.
New analysis about the UK’s design economy highlights northern regions and Wales as key regions for growth.
The cheddar brand’s new look aims to deepen connections with consumers at a time of widespread uncertainty.
Breaking the News explores news production and consumption over five centuries, with a design that emphasises the industry’s complications.
As the design industry propelled itself forward, we were always there to champion, inform, analyse and guide the way.
Have you been paying attention for the last four decades? Only one way to find out.
Design Week closes, having championed design excellence for the past 38 years.
As part of our series on design in 2024, WeWantMore creative director Ruud Belmans offers his view on what retail and experience design might look like next year.